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#An epic poem features a weak character full#
#An epic poem features a weak character series#

The epic portrays fear as beneficial when it protects us from harm. The gods in The Epic of Gilgameshtry to frighten humans to prevent them from destroying what is sacred. How do we, as readers, make sense of this shift? Later on, however, he becomes terrified of death (Tablets 8-11), but, at the same time, becomes incredibly courageous in facing danger on his quest.

In the beginning of the epic, Gilgamesh is unafraid of death (Tablet 2) but can sometimes get afraid before doing deeds of physical bravery-as when he starts crying right outside the Cedar Forest at the end of Tablet 4.

Since the gods can't die, what are the gods afraid of? Epic poetry is a type of literature that has been popular for centuries, and it’s still widely read and studied today. Updated: Epic Poetry An epic poem is a long, narrative poem that is usually about heroic deeds and events that are significant to the culture of the poet. For the humans in the poem, the ultimate source of fear is the fear of death. Written by: Julia Clark Published: MaSpread the love Welcome to The Ultimate Guide to Epic Poems: Features, Analysis, and Examples.

The Epic of Gilgamesh portrays both gods and humans as experiencing fear.

But does the epic always portray fear as a bad thing? Or can it have some benefits, too?

The last four books of the epic (8-11) center on Gilgamesh's need to overcome his fear of death.

Isn't he afraid of Enlil? Does he do this out of fear at what Humbaba might do to them if they don't kill him? Or, is he afraid that Humbaba may replace Enkidu as Gilgamesh's BFF-which is what Humbaba seems to be offering to Gilgamesh?

Even though Enkidu knows that the god Enlil has deliberately appointed Humbaba to be the terrifying guardian of the Cedar Forest, he still encourages Gilgamesh to strike a final death blow.

In fact, the entire second part of the poem features Gilgamesh dealing with the second most feared thing in the world-death (the only thing the average person finds more terrifying is speaking in public). And, poor Gilgamesh has a lot to be afraid of once the adrenaline from all his adventures wears off. But, seriously, this whole epic deals us one freaky thing after another. Okay, you got us-that's a lot more than one exhibit. Exhibit A: Humbaba, Scorpion dudes, scary dreams, the edge of the world.

#An epic poem features a weak character full#

Apart from this aspect, a primary epic is generated by periods of upheaval, of struggle and adventure.The Epic of Gilgamesh is chock full of things to be afraid of. The deeds or events of the hero determine the fate of a nation and are of great importance to the nation or race.

#An epic poem features a weak character series#

Thus based on the magnitude or the significance of the tales, we can categorize The Iliad as an epic. An epic poetry is a lengthy narrative poem about a subject which is linked with the deeds of a legendary or heroic character who undergoes a series of adventures, battles or long and arduous journeys in life. The Iliad does not end with the fall of Troy, but obviously the story indicates that Troy must fall. Thus the war between the Trojans and the Greeks (Achaeans) was a matter of existence of glory or fall. It has some national or international significance. They often appear to their favourites in human shapes.The presence of such supernatural agencies in The Iliad is one of the striking features of its epic nature.The epic story usually is not a common story of day-to-day affairs. Gods and goddesses even quarrel and fight among themselves about human affairs. The very cause of Trojan War as The Iliad narrates was the cause of aphrodite's involvement with Paris, the Trojan prince.

Gods and goddesses even have their human offspring achilles, for example, is the son of Thetis, the sea nymph. In The Iliad we find a significant number of gods and goddesses influencing human affairs. In an epic, and particularly in a primary epic, there are supernatural agents who are involved in human affairs. The first line of The iliad shows this intention of oral nature. A primary epic is originally composed to/be sung or recited to music.